CRWR 2016 - Narrative: Where the Story Starts
North Terrace Campus - Semester 1 - 2025
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        General Course Information
        Course DetailsCourse Code CRWR 2016 Course Narrative: Where the Story Starts Coordinating Unit English, Creative Writing, and Film Term Semester 1 Level Undergraduate Location/s North Terrace Campus Units 3 Contact Up to 3 hours per week Available for Study Abroad and Exchange Prerequisites 12 units of Level I study Biennial Course Offered in odd years Assessment Participation (online forums), Research Essay, Creative Portfolio Course StaffCourse Coordinator: Dr Georgia Phillips Course TimetableThe full timetable of all activities for this course can be accessed from . 
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        Learning Outcomes
        Course Learning Outcomes1 Demonstrate an ability to interpret and respond to a broad range of creative, critical, and theoretical texts relevant to the history and ongoing development of narrative theory and its practical applications;
 2 Demonstrate the ability to frame creative and critical projects, produce plans for their research and execution, and fulfil these to deadlines;
 3 Engage rigorously and self-reflexively with selected creative, critical, and theoretical texts and the global and historical contexts of their production;
 4 Write and revise polished creative and critical works that demonstrate high levels of clarity, insight, narrative innovation, and sophistication;
 5 Critically evaluate their own and others’ writing, both orally and in writing;
 6 Engage seriously, sensitively, and respectfully with their peers, both in person and using online learning technologies, to provide substantive and productive feedback on creative and critical work.University Graduate AttributesThis course will provide students with an opportunity to develop the Graduate Attribute(s) specified below: University Graduate Attribute Course Learning Outcome(s) Attribute 1: Deep discipline knowledge and intellectual breadth Graduates have comprehensive knowledge and understanding of their subject area, the ability to engage with different traditions of thought, and the ability to apply their knowledge in practice including in multi-disciplinary or multi-professional contexts. 1, 2, 3, 4 Attribute 2: Creative and critical thinking, and problem solving Graduates are effective problems-solvers, able to apply critical, creative and evidence-based thinking to conceive innovative responses to future challenges. 1, 2, 3, 4, 5 Attribute 3: Teamwork and communication skills Graduates convey ideas and information effectively to a range of audiences for a variety of purposes and contribute in a positive and collaborative manner to achieving common goals. 5, 6 Attribute 4: Professionalism and leadership readiness Graduates engage in professional behaviour and have the potential to be entrepreneurial and take leadership roles in their chosen occupations or careers and communities. 5, 6 Attribute 5: Intercultural and ethical competency Graduates are responsible and effective global citizens whose personal values and practices are consistent with their roles as responsible members of society. 1, 3, 5, 6 Attribute 7: Digital capabilities Graduates are well prepared for living, learning and working in a digital society. 2, 4, 5, 6 Attribute 8: Self-awareness and emotional intelligence Graduates are self-aware and reflective; they are flexible and resilient and have the capacity to accept and give constructive feedback; they act with integrity and take responsibility for their actions. 2, 5, 6 
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        Learning Resources
        Required ResourcesPRIMARY and/or SECONDARY (indicative) 
 Readings from:
 Aristotle, Poetics
 Mikhail Bakhtin, trans. Caryl Emerson and Michael Holquist, The Dialogic Imagination (1982)Vladimir Propp, trans. Laurence Scott, Morphology of the Folktale (1968) Tzvetan Todorov, ‘Structural Analysis of Narrative’ 
 Roland Barthes, trans. Richard Miller, S/Z: An Essay (1975)
 Gérard Genette, trans. Jane Lewin, Narrative Discourse: An Essay in Method, (Oxford: Blackwell, 1980).
 Readings from Wayne C. Booth, The Rhetoric of Fiction (Chicago: University of Chicago Press, 1961; 1983)
 Readings from Mark Currie, About Time: Narrative, Fiction and the Philosophy of Time (Edinburgh: Edinburgh University Press, 2006)
 James Wood, How Fiction Works (New York: Picador, 2008; 2018)
 Han Kang, The Vegetarian
 Muriel Spark, The Driver’s Seat (1970)
 Anne Carson, The Beauty of the Husband: A Fictional Essay in 29 Tangos (New York: Vintage, 2002)
 Sans Soleil, dir. Chris Marker (1983); Handsworth Songs, dir. Black Audio Film Collective (1986)
 Suzan-Lori Parks, 365 Days/365 Plays (New York: Theater Communications Group, 2006)
 Laurie Anderson and Hsin-Chien Huang, Chalkroom, 2017 and A Trip to the Moon, 2018.
 Laurie Anderson, ‘Telling Stories in Virtual Reality: Laurie Anderson in conversation with Bonnie Marranca’, online.
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        Learning & Teaching Activities
        Learning & Teaching ModesNo information currently available. WorkloadNo information currently available. Learning Activities SummaryLECTURE TOPIC (indicative)
 Theoretical Foundations 1 - Aristotle
 Theoretical Foundations 2 – Propp, Bakhtin
 Theoretical Foundations 3 – Barthes, Genette, Todorov
 Narrative Modes
 Narrative, Point of View, and Voice
 Characterization
 Temporality
 The Nouveau Roman
 The Novel in Verse
 The Essay Film
 The Closet Drama
 Virtual Worlds
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        Assessment
        The University's policy on Assessment for Coursework Programs is based on the following four principles: - Assessment must encourage and reinforce learning.
- Assessment must enable robust and fair judgements about student performance.
- Assessment practices must be fair and equitable to students and give them the opportunity to demonstrate what they have learned.
- Assessment must maintain academic standards.
 Assessment SummaryParticipation (online forums); summative and formative 10% (10 online posts)
 1,500-word Research Essay; formative and summative 40%
 2,500-word Creative Portfolio; formative and summative 50%Assessment DetailNo information currently available. SubmissionNo information currently available. Course GradingGrades for your performance in this course will be awarded in accordance with the following scheme: M10 (Coursework Mark Scheme) Grade Mark Description FNS Fail No Submission F 1-49 Fail P 50-64 Pass C 65-74 Credit D 75-84 Distinction HD 85-100 High Distinction CN Continuing NFE No Formal Examination RP Result Pending Further details of the grades/results can be obtained from Examinations. Grade Descriptors are available which provide a general guide to the standard of work that is expected at each grade level. More information at Assessment for Coursework Programs. Final results for this course will be made available through . 
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        Student Feedback
        The University places a high priority on approaches to learning and teaching that enhance the student experience. Feedback is sought from students in a variety of ways including on-going engagement with staff, the use of online discussion boards and the use of Student Experience of Learning and Teaching (SELT) surveys as well as GOS surveys and Program reviews. SELTs are an important source of information to inform individual teaching practice, decisions about teaching duties, and course and program curriculum design. They enable the University to assess how effectively its learning environments and teaching practices facilitate student engagement and learning outcomes. Under the current SELT Policy (http://www.adelaide.edu.au/policies/101/) course SELTs are mandated and must be conducted at the conclusion of each term/semester/trimester for every course offering. Feedback on issues raised through course SELT surveys is made available to enrolled students through various resources (e.g. MyUni). In addition aggregated course SELT data is available. 
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        Student Support
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- Academic Support with Maths
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- Careers Services
- Library Services for Students
- LinkedIn Learning
- Student Life Counselling Support - Personal counselling for issues affecting study
- Students with a Disability - Alternative academic arrangements
 
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        Policies & Guidelines
        This section contains links to relevant assessment-related policies and guidelines - all university policies. - Academic Credit Arrangements Policy
- Academic Integrity Policy
- Academic Progress by Coursework Students Policy
- Assessment for Coursework Programs Policy
- Copyright Compliance Policy
- Coursework Academic Programs Policy
- Intellectual Property Policy
- IT Acceptable Use and Security Policy
- Modified Arrangements for Coursework Assessment Policy
- Reasonable Adjustments to Learning, Teaching & Assessment for Students with a Disability Policy
- Student Experience of Learning and Teaching Policy
- Student Grievance Resolution Process
 
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